Friday, 30 April 2010
Question time...7
I feel that we have come a long way from our preliminary task. We learnt a lot of essential skills from doing the preliminary, but we learnt far more doing the opening sequence. It was more of a challenge having to create a 3 minute film rather than 20 seconds, we needed to create a 3 minute narrative this time so therefore needed to have more ideas. Fortunately we were all feeling creative during the process, as we had lots of ideas in the planning stages and throughout working on it we came up with even more.
Improvements from the preliminary:
In the preliminary we didn’t use any music, so when creating our media product this time we ensured we used music, which helped to create the appropriate atmosphere, and allowed us to manipulate the viewers’ emotions.
Also n the preliminary we didn’t use a tripod leading to some shots being shaky, however in our opening sequence we ensured we use a tripod, to get a stiller and better quality shots. This added to the quality of our film.
We used a wider range of shots in our opening sequence than we did in the preliminary and used them appropriately to fit in with the storyline.
I think we found the editing harder when creating the opening sequence to the preliminary because we had much more to edit, and it was hard to make sure it all ran smoothly. We also experienced problems with the software where we had to do some of it again because it hadn't saved properly.
As we filmed over several days, we had to ensure we kept continuity, we took pictures of what the characters were wearing to ensure we looked the same each time, and we also tried to ensure if shooting the shot from different angles we would make sure we repeated the same actions in the same way, with the same objects in the correct hands etc.
Also...I must admit...I disliked it when we got rid of shots that we liked either because they didn't work with the sequence or there wasn't enough time to include it in the sequence. But that's just me being clingy.
Overall I have thoroughly enjoyed the process of creating our media product. It has been hard work and difficult at times, but very enjoyable, fun and rewarding. I've loved working with my group. I've learnt plenty about the film industry and what is required just to make a 3 minute opening sequence. Also I have learnt new skills through doing this, which is very pleasing! I'm looking forward to doing Media next year :D
Thursday, 29 April 2010
Question time...6
Wednesday, 28 April 2010
Question time...5
How, why and is it effective?
Here is a questionnaire we used to gain audience feedback. It proved an effective way to gain results we wanted. We gave 20 people our questionnaire. 10 people through facebook and 10 people offline took it. We used 5 closed questions and an open questions. Here it is:
1. Could you clearly identify that Sophie was the main character in the film?
a. Easily
b. Quite easily
c. With difficulty
d. No I didn’t realise
2. What genre do you think our film is?
a. Thriller
b. Mystery
c. Melodrama
d. Horror
e. Romance
b. Teenagers
5. Would you watch the whole film?
a. Yes
b. No
c. Maybe
The majority of people they would like to see the whole film, and everyone else said they would consider watching the rest of the film if it was to be made.
6. How could we improve our opening sequence?
"At one point the autofocus seems to make the image go blurry"
"Too many voiceovers"
"Some of the transitions weren’t as smooth as they could have been"
"The quality of the camera isn't very good"
"Voiceovers a little bit too quiet"
Tuesday, 27 April 2010
Question time...4
I feel females would be the main audience for our film. Melodramas typically appeal to a feminine audience. Although males may also enjoy the film, I think we would try and attract young women to come and see the film. Although we would also try not to exclude the male gender. Also some teenagers would be able to relate with 14 year old Sophie as she is a similar age to them and may be dealing with some issues they are facing in their lives. Females statistically are more likely to suffer with depression, however many males also battle with the illness, moreover although we have represented a young girl dealing with depression, depression can occur at any age, and often people can experience depressive relapses throughout their life. I think our film can educate on what it's like for a person to deal with depression, self harm, eating disorders and domestic violence. There is always more awareness that needs to be created on these issues.
I feel having chosen to do a melodrama, we have not chosen a typical genre of film, as melodramas are more uncommon than many genres of film on screen today. So hopefully that would create some interest and get some regularly cinema goers wanting to watch it as it is something different.
We looked at the British Board of Film Classification (BBFC) guidelines to consider what rating we would give our film. We decided that it should be a 15. The BBFC guidelines state that the following guidelines constitute as a rated 15 film:
- Imitable behaviour
Dangerous behaviour (for example, hanging, suicide and
self-harming) should not dwell on detail which could be
copied. Easily accessible weapons should not be glamorised. - Theme
No theme is prohibited, provided the treatment is
appropriate for 15 year olds. - Drugs
Drug taking may be shown but the film as a whole must not
promote or encourage drug misuse. The misuse of easily
accessible and highly dangerous substances (for example,
aerosols or solvents) is unlikely to be acceptable. - Violence
Violence may be strong but should not dwell on the infliction
of pain or injury. The strongest gory images are unlikely to
be acceptable. Strong sadistic or sexualised violence is also
unlikely to be acceptable.
There may be detailed verbal references to sexual violence
but any portrayal of sexual violence must be discreet and
have a strong contextual justification. - Language
There may be frequent use of strong language (for example,
‘fuck’). The strongest terms (for example, ‘cunt’) may be
acceptable if justified by the context. Aggressive or repeated
use of the strongest language is unlikely to be acceptable. - Nudity
Nudity may be allowed in a sexual context but without
strong detail. There are no constraints on nudity in a
non-sexual or educational context. - Sex
Sexual activity may be portrayed without strong detail.
There may be strong verbal references to sexual behaviour,
but the strongest references are unlikely to be acceptable
unless justified by context. Works whose primary purpose is
sexual arousal or stimulation are unlikely to be acceptable. - Discrimination
The work as a whole must not endorse discriminatory
language or behaviour. - Horror
Strong threat and menace are permitted unless sadistic or sexualised.

We have put our film into this category, because we feel if we were to continue our film this is what guidlines we would need to work to. This means people watching the film shouldn't be under 15 years of age, which aims our film at a mature audience.
Monday, 26 April 2010
Question time...3

We would distribute our media product to companies such as 'Film 4 Productions', which is owned by channel 4, because we have a made a low budget, British, independent film. We didn't have much money to make the film, which is evident in the quality of the camera and some of the shots, sound and the editing. Hopefully if we were backed by 'Film 4' we would be able to sort out any problems.
We included ‘In association with Film 4’ in our opening sequence. Unlike the American blocker buster, Hollywood movies, which have huge budgets; British independent films focus on producing grittier storylines, rather than focusing on the special effects. The money involved in making these films isn’t as much, so directors look to create a different type of film.
In the past film 4 has backed a wide range of films such as 'Slumdog Millionaire', 'Enduring Love', 'A room with a view', 'Beautiful Thing', and 'Lovely bones' without which, these films probably wouldn't have got the funding to be made.
However, we could also distribute our film to 'BBC Films' which are another production company which funds the kind of film we made. These have backed films such as 'An Education', 'The Duchess', 'Bullet Boy', 'Millions' and 'Mrs Henderson Presents'.
Sunday, 25 April 2010
Question time...2
Saturday, 24 April 2010
Question time...1
Comparision to other media products
A media product, which is a film, should establish the narration, characters, settings, genre, style, ideology and visual style in the first few minutes of the film. We have aimed to do all of this in our opening sequence. The narration was developed by using research taken from charities websites such as: ‘The Mood Foundation’, ‘Mind’ for depression. ‘Beat’ for eating disorders and ‘Women’s Aid’ and ‘The Hideout’ for domestic violence, and from this expanded our initial ideas and create a plot for our media product. We didn't really base our idea upon an existing film, but as I am a loyal supporter of 'The Mood Foundation' and have raised money for them in the past and really believe in the cause and so was already quite knowledgeable on the condition, the idea originiated from here.
The title 'Welcome to my World' is a common phrase which me use, usually in a sarcastic way. The 'my' being in itallics helps demonstrate the sarcasm. I think the title of the films conveys the idea that the world they are living is rather sinister and dark. It shows how the character doesn't have anyone to turn to, so tries to invite the audience into experience her life with her.
We have three characters in our opening sequence Sophie and her two parents. I think we quickly establish who the main character of our film is. We open with a shot of Sophie writing in a diary. Then we show who her family are, through the kitchen scene. It shows our film is based on her. Sophie is also the character who does the voiceovers which indicates it is her story. Melodramas often have the good vs. evil side when portraying characters. Sophie is the good, where the Father is the evil as he is some of the reason to why Sophie is so depressed. The ideology of the piece is to show that we are on Sophie’s side, we want the audience to care and connect to her. We want the antagonist to be her Father, who is an evil, cruel man who inflicts misery on Sophie and her Mothers life.
We used decided to have our opening sequence set inside which is to represent the enclosure that our main character feels. Filming indoors also mean lots of our footage appears dark and dimly lit which affects the visual style of the piece. We filmed in two different houses, but ensured we would only include on kitchen, living room, bathroom, bedroom etc. in the film.
Our film is a melodrama, Sophie is suffering with the mental illness, depression, like characters in melodramas she has difficulty expressing her feelings to others. So we hope the music and the voiceovers represent what she is dealing with. She is unable to deal with what she is going through, showing inner conflict, so turns the frustration and pain upon herself, by self harming, drinking alcohol and crying often.
Despite not basing our idea on an exisiting film, similarities in our film can be seen to the film ‘About a boy’ where the boy’s Mother is suffering with depression and tries to take her own life, by overdosing on pills. Sophie also tries to overdose on pills to kill herself in the opening sequence of our film.

Tuesday, 20 April 2010
Monday, 19 April 2010
Alterations...
- Firstly our opening sequence was four minutes long, so we decided that although we liked all of the content, we should cut it down, as we felt it was a bit too long for an opening sequence.
- When cutting the sequence we decided to take out the whole of the first minute, because although we liked it, it wasn't essential footage.
- We redid one of the voiceovers because it was hard to hear, and in fact the one we replaced it with was much better in terms of clarity.
- We put the credits towards the end of the 3 minutes, rather than at the beginning. We also made sure that that we only used the four main credits...staring, directed by, produced by, music by...
- We tried to make the cuts flow better and cut a second or two off a few clips
- We changed the ending of the opening sequence so she didn't die and instead said 'if only it had been that easy' we felt that was a better way to continue the film.
Saturday, 10 April 2010
We've created an opening sequence *high 5*
We've created our opening sequence. However we didn't follow the storyboard/script to plan. Nevertheless I feel it was better that way, as we made more interesting creative choices and had new and more practical ideas when filming it...
- We took out the school scene as we felt they made the piece drag, and didn't add much to the sequence.
- We changed some of the dialogue at the dinner scene, from the original script, because we improvised when filming it. Then edited it all together.
- We moved the screaming into the pillow part to straight after the dinner scene.
- We removed scene with the Father standing in the doorway, because we felt it was too subtle and the viewer probably wouldn't understand what we were trying to imply.
- We created a different ending of her sitting on the sofa with the tv, but just thinking instead, then taking paracetamol to try and end her suffering.
- We finished with the mum coming into the room and finding her dead.
We are now going to use audience feedback to try and adapt our opening sequence, to improve it...
Thursday, 1 April 2010
La la la...Music and Sound!
We also decided to use the beginning of a Leona Lewis song 'Homeless' as it is a sad, emotional piece of music and seemed to fit very nicely with some of the dialogue.
Furthermore we have also used a voiceover, with Sophie talking. It shows her thoughts, probably from what she has written down in her diary. Nevertheless we had some difficulties when recording with the microphones, as you could hear the affects of using a microphone, so we had to try our best to edit out the microphone noises and turn it down when necessary.
Sunday, 28 March 2010
Character Representation
Her Father is very strict and uncaring where Sophie is concerned. He can not understand her behaviour at all and has no symphathy for people sufferign with depression, including his own daughter. And gets very angry and frustrated with her lack of eating at mealtime and lots of other things she does. This doesn't help Sophie at all. He is cruel and may be one of the causes leading to Sophie to be depressed.
Her Mother is more reserved, shy and timid. She is a peacemaker and wants everyone to be happy in her home. However she is very frightened of her husband as he overreacts and can sometimes lash out at her and her daughter. She doesn't want to upset him, so she dislikes Sophie not obeying his orders and seeming so down.
Friday, 26 March 2010
Location Location Location
These are the pictures taken at their house along with a description about why we filmed the scene there.
Sam and Kay's house
This is Sophie's bed, we filmed a scene with Sophie screaming into her pillow on this bed
This is the desk area, where Sophie writes her diary entries.
These are the stairs which Sophie storms up after a row in the kitchen with her parents.
The outside of Sam and Kay's house just to show the location, however we will not film outside in the actual opening film sequence.
My House
This is the bathroom, where Sophie cuts herself
This is a picture of the sofa in the living room where Sophie takes the pills
This is the kitchen where the dinner scene occurs
Tuesday, 23 March 2010
Monday, 22 March 2010
Credits
First of all we decided to have all of the following credits in our opening film sequence:
Starring...Lucy Formby
Written by...Ruth Halliday and Kayleigh Protheroe
Directed by...Samantha Protheroe, Kayleigh Protheroe and Ruth Halliday
Produced by...Samantha Protheroe, Kayleigh Protheroe, Lucy Formby and Ruth Halliday
Camera Operators...Samantha Protheroe, Kayleigh Protheroe and Ruth Halliday
Costume Manager...Kayleigh Protheroe
Prop Managers...Samantha Protheroe, Kayleigh Protheroe, Lucy Formby and Ruth Halliday
Make-Up...Lucy Formby and Kayleigh Protheroe
Music - Lucy Formby and Chris Formby
Special Effects...Samantha Protheroe, Kayleigh Protheroe, Lucy Formby and Ruth Halliday
Edited by...Samantha Protheroe, Kayleigh Protheroe, Lucy Formby and Ruth Halliday
Despite this, we decided that there was too much, as it seemed like an overload of information for the viewer, and took away from the contents of the film. So we changed it into something more simple.
Starring... Lucy Formby
Produced by... Lucy Formby and Samantha Protheroe
Directed by... Kayleigh Protheroe and Ruth Halliday
Music by... Lucy Formby and Chris Formby
Thursday, 18 March 2010
Safety Hazards...*sighs*
Possible safety hazards include
Scissors: These have sharp blades and we must make sure that we are careful when handling the equipment. Have to ensure that we use a blunt blade.
Paracetamol: Consume something with similar appearance, but doesn't contain and drugs in the film process, or mime taking them.
Food: This is a possible choking hazard, for the parents of Sophie, especially if there is shouting involved. There is also a possibility that they might get food poisoning from the fish they were eating.
Cutlery: Knives and forks, plates are breakable so we must be careful when using the equipment to prevent them from breaking.
Stairs: I could of fallen down the stairs, whilst/running stomping up them as Sophie. So I ensured that I didn't wear any unsuitable footwear
Monday, 15 March 2010
Props
- Scissors
- Paracetamol
- Television remotes
- Other sharp objects
- Food
- Cutlery
- Blanket
- Paper
- Pen
- Sofa
- Charis
- Table
- Bed
- Pillow
- Fake blood
Wednesday, 10 March 2010
Sources
When researching we used the following sources:

The Mood Foundation is a charity, run by Rupert Young, it provides treatment for people suffering with depression, drug addictions and self harm; offering talking and alternative therapies. I'm a supporter of the charity. It provided us with good factual information on depression and what it is like for people suffering. It helped us a lot when developing the film.


Women's Aid This charity is set up to help women and children who are or have experienced domestic violence. It believes everyone has a right to live freely and without violence and abuse. Through the website we found out more about the abuse and how it feels for the victims.
depression being the cause of why she isn't eating we also wanted more information about the various types of eating disorders and what that entails.This charity is the children's section of women's aid website. It provided us with a very clear idea of what exactly domestic violence can be classed as and videos of people with real life stories.
Dear Diary...
Dear diary....I know I’m not the most perfect person in the world and to be quite frank, nobody is but I’m the one that feels all the hate is on me. The past few days have been difficult, I don’t know how to deal with it so I just get angry with everyone and then they get angry with me and I wonder why. School is the worst thing ever but I suppose it does take my mind off of things for a little while. My friends are close to me but ever since things changed, for me, they have drifted, especially now when I need them most. I feel they now hate me or, at least, the person I’ve become because they judge on what they see and not how they feel, deep down inside. The pain is unbearable and the only way I’m free from it is if I take pills to numb the feeling of what’s going on around me. I feel safe when the pain is numb, as if nothing or no-one can get to me. It’s a way to keep my emotions bottled up inside of me although, one day I know I’ll have to let them out – or not. Lying in my bed at night allows me to let a little emotion run from me so there is room for more when I find something else that bothers me. It’s confusing as to how I get through each day and away from the feeling of hatred when I’m in my sleep. All of my barriers, I feel have failed and the people I love are drifting further and further away in each minute of my life.
Dear diary....Every day is a new day although I can’t feel anything as the pills have taken control over what emotions I can and can’t experience. I take these pills to help me but I don’t think they are working. I just feel tired and want to go to sleep for every hour of every day, it’s like my life choices have control of every move I make. I do think of my family and friends and how they respond to my ways but they don’t understand me anymore, it’s like they are the different colours of a rainbow and all I see is black. The hardest thing to deal with is my health and my friends and family. Since a few weeks ago, I will only eat about a third of what my family do. It’s hard to communicate with them because my parents recently divorced and I feel that I can’t talk to them because they are no longer together. My whole world is falling apart in front of me and the only thing that I can think of is, well, myself. I’m being so selfish and I refuse to do any social activities because I feel like, what’s the point really? I’m finding it hard to trust everyone, especially me. There is nothing I do, that I can compliment about. I think my family have given up trying to help me because all I do is ignore their advice. A week back they found cuts on both my arms, which is when they really gave up on me.
Dear diary.... No-one knows what to do with me anymore, friends or family. Each day at school gets worse as the term goes on. My friends try to help me, have a one-on-one with me but I’m not stupid and I know what they were trying to do so I avoided them. To be honest at this moment I don’t care if I have no friends or family to help, I prefer being by myself. My thoughts tend to run away with me and I’ve done a lot of thinking recently that maybe if I hurt myself on purpose, the pain won’t be so excruciating. With the way things are going, I’m considering running away because my tolerance level has been put on its lowest due to everyone trying to help me with my ‘problem’ as they say. I don’t see it as a problem, I see it as a way of life and I’m sure that I will soon enough be over it but I wouldn’t go to the extreme of calling the mental institution and sending me away which is what my parents have threatened me with. This is because, the other day I tried to rightly accuse my step-dad of abusing me, to my mum and did she believe me? No, not at all!
Dear diary...I want my dad back. Ever since the divorce and when mom met my step-dad I knew there would be something wrong – and I was right. He tells me that he does it because he loves me or would I rather he did it to my mother? It’s kind of bribery as well as abuse but I have had enough and when I tried telling my mother he laughed out loud. How do you laugh out loud at something as serious as that? My mom refuses to believe there is something weird about her ‘boyfriend’ but if she knew the truth, only if she knew...
Shooting script
SOPHIE (V.O., THROUGHOUT)
(Various words picked out from the diary, finishing with
“And I just feel so alone”.)
INT. BEDROOM – LATE EVENING
Sophie walks into her bedroom and sits at the desk. She opens the diary, which has the title “Welcome to MY World” on the cover, and flicks through several pages, which contain the credits and the first page of writing.
INT. BATHROOM – EARLY EVENING
Sophie is sitting on the closed lid of the toilet, holding an open pair of scissors to her arm, preparing to cut herself. She hesitates, then closes the scissors, putting them down on the edge of the sink.
INT. BEDROOM – LATE EVENING
Sophie turns the page of her diary and picks up the scissors on her desk with her left hand, looks at them, and puts them back again.
INT. DINING ROOM – EARLY EVENING
Sophie is sitting at the table at dinner with her parents. She is not eating; instead pushing the food around on her plate.
FATHER
Sophie, eat your dinner.
SOPHIE
I'm not hungry.
FATHER
I don't care if you're hungry or not, eat it!
MOTHER
Just eat it, sweetheart.
SOPHIE
I'm not hungry!
Sophie gets up to leave.
FATHER
Sit down and eat it.
Sophie runs out of the room.
INT. BEDROOM – LATE EVENING
Sophie looks down at her right hand, wrapped in a bandage. She pulls down her sleeve to cover it, and turns another page of her diary.
INT. BATHROOM – EARLY EVENING
Sophie slits her right wrist.
INT. BEDROOM – LATE EVENING
Sophie's tears fall on the diary and smudge the ink.
EXT. SCHOOL PLAYGROUND – LUNCH
Sophie is leaning against a wall, standing with a group of friends, who are talking amongst themselves. None of them speaks to Sophie.
EXT. SCHOOL PLAYGROUND – EARLY AFTERNOON
Sophie is still where she was earlier, but the playground is now empty. Sophie pushes herself up and walks across the empty playground to the gates.
INT. BEDROOM – LATE EVENING
Sophie gets up and walks to her bed, lifts a sheet and takes a bottle of alcohol. There are several other bottles, full and empty, under the bed. Sophie walks back to the desk, opens the bottle, and drinks. She turns another page of the diary.
INT. BEDROOM – NIGHT (ALT #1)
Sophie is lying on her bed, face down, screaming into her pillow.
INT. BEDROOM – NIGHT (ALT #2)
Sophie is lying face down on her bed, crying.
INT. BEDROOM – LATE EVENING
Sophie turns another page of the diary, and removes a plaster from her arm. Blood drips onto the diary. She puts the plaster back on.
INT. BEDROOM – NIGHT
Sophie's father is standing in the doorway to her bedroom. Sophie is sat on the bed, duvet pulled around her, looking scared.
INT. BEDROOM – LATE EVENING
Sophie closes the diary, turns off the light, and gets into bed. She lies awake, staring at the ceiling.
Start of film













